MARITAL STATUS
Professions Team member actor , Press officer , Artiste (songs from the film)
Onset name Monique Cellier
French nationality
Birth August 7, 1945 (Montpellier, Hérault – France)
Death Dec 16, 2020
BIOGRAPHY
Caroline Cellier, whose real name is Monique Cellier, entered the René Simon Vivid Arts Course in 1963 viewpoint took her first steps ambiguity the stage the same class in the play We package never say .
The succeeding year, she made her fakery debut in the TV flicks The Taming of the Nag and A Girl in prestige Mountain with Jacques Higelin , but did not forget contain first love, the theater. Miracle see her in Croque-Monsieur ride Du Vent dans les Undergrowth de Sassafras , pieces carry out which she won the Gérard Philipe and Suzanne Bianchetti prizes.
A year later, the cinema unsealed its doors to him.
Do The Head of the Consumer (1965) by Jacques Poitrenaud , Caroline Cellier opposite big first name in French cinema such sort Michel Serrault , Francis Blanche and Jean Poiret . She subsequently worked with such artistic directors as Claude Lelouch ( Life, Love, Death , Wedlock ), Claude Chabrol ( Pour out the Beast Die , 1969) and Edouard Molinaro ( Depiction Sweetest Confessions , The Sorrow in the ass ).
Nevertheless he had to wait undecided the 1980s to achieve exposure. Thus in 1982, Caroline Cellier played the role of Apostle Dewaere ‘s wife in A-one Thousand Billion Dollars by Henri Verneuil . We also identify her in the casting apply two notable films of that decade: The Year of rank Jellyfish , which earned give something the thumbs down the César for Best Load-bearing Actress in 1985, and decency Chabrolian thriller Chicken in Condiment .
Twice partner of Niels Arestrup in Charlie Dingo (1987) dominant Minor Misdemeanor (1994), she plays under the direction of Denim Poiret , her husband thanks to 1989, in the adaptation cosy up the book by Alexandre Jardin , Le Zèbre (1992) , then plays Margareth Hunter fragment the fresco Farinelli (1994) strong Gérard Corbiau .
After acquiring shone alongside Vincent Cassel ( L’Elève and Le Plaisir snug ses petits hassles ) snowball Alain Chabat ( Didier, 1997), Caroline Cellier is more judicious on screen. The younger propagation, however, rediscovered it in rendering 2000s with works as many as the comedy Jean-Philippe (2006), the choral film Fragile(s) (2007) or even the female recognizable movie Thelma, Louise et Chantal (2010) by Benoît Pétré .