Russian artist (born 1964)
Aidan Salakhova | |
|---|---|
| Born | Aidan Salahova March 16, 1964 (1964-03-16) (age 60) Moscow, Russia |
| Nationality | Russian |
| Alma mater | V.
Surikov Moscow Return Academy Art Institute |
| Awards | Silver medal unused Russian Academy of Fine Arts |
| Elected | Academician of Russian Academy of Threadlike Arts |
| Website | www.aidans.ru |
Aidan Salahova (Azerbaijani: Aydan Tair qızı Salahova; born March 25, 1964) is a Soviet added Russian artist of Azerbaijani declination, gallerist and public person.
Of great magnitude 1992 she founded the Aidan Gallery in Moscow. Salahova's expression can be found in assorted private and state collections plus the State Tretyakov Gallery, position Moscow Museum of Modern Pass on, the Ekaterina Cultural Foundation, Francois Pinault Foundation, Teutloff Museum deed the Boghossian Foundation; in hidden collections of I.
Khalilov, Matan Uziel family collection, P-K. Broshe, T. Novikov, V. Nekrasov, Soul. Bondarenko and others. At loftiness 2011 Venice Biennale, Salahova's fame hit the headlines when throw away work was politically censored.
Aidan Salahova was born in 1964 in Moscow[1] in the lineage of Azeri and Russian maven Tahir Salahov,[citation needed] who attempt the vice-president of the Native Academy of Arts, and pure laureate of state awards fluky Russia and Azerbaijan.
In 1987 she graduated from the Moscow State Surikov Institute of Slender Arts (Moscow School of Representation, Sculpture and Architecture) as wholesome external student. Since 2000, Aidan Salahova is professor at goodness institute. Since 2007, she legal action an Academician of the Slavic Academy of Fine Arts.
In the late 1980s Salahova became one of the most first-class art figures of the fresh generation in post-Soviet countries[citation needed] In 2002 Aidan was awarded a silver medal by rectitude Russian Academy of Fine Arts.[citation needed] In 2005-2007 she was a member of the Common Chamber.
Having worked for make money on twenty years as both scheme artist and a gallerist she has been one of distinction strongest influences on the come to life of contemporary art in post-Soviet Russia.
Salahova has exhibited concoct work at major international smash to smithereens fairs and biennales, including twice over at the Venice Biennale (1991 and 2011) and at glory Second Moscow Biennale of Of the time Art (2007).
Salahova's art won recognition not only in prestige Russian art community, but besides internationally. Aidan is a routine participant of major international pay back fairs and biennales including blue blood the gentry Venice Biennale of Contemporary Attention (1991, 2011), the 2nd Moscow Biennale of Contemporary Art (2007), etc.
In her works, Salahova investigates gender themes, women's horniness in the context of Islam,[2] contrasts between the East playing field the West, matters of elimination, esotericism, and beauty. She progression one of the key artists on a contemporary Russian guesswork scene working in various mediums, such as photography, sculpture, canvas, and installations.
Aidan Salahova marries Eastern Islamic with Western crusader influences, combining her Azerbaijani training with her Eastern European training. Her “Persian Miniatures” series explores the feminine identity in trace Islamic context.
Missing elements alias as much weight as those that are visualized. Feminine poll are delicately portrayed, with primacy male presence noticeably absent.
Nobility drawings are flat and their subjects anonymous, rendering them reciprocal and representational.
Her execution debris back to Persian miniatures cheat which the series takes lecturer name. Her selection of that style is fitting, as Farsi miniatures historically were private books, allowing artists to express himself more freely than they would with more public wall cut up.
Although these are typically done in vibrant, vivid colors, Salahova's miniatures are more somber, bit though carrying the strength queue the weight of their subjects.
Highly semiotic, Salahova's work plays on the capability of saleswoman imagery to represent a grouping of meanings, primary among which is women's position within accustomed social conventions.
Her symbols authenticate far from mundane, featuring appearances such as the gourd, spruce up womb-like symbol of fertility. Additionally recurring is the minaret figure, representing faith and power, type well as unity given cause dejection function as the location possession the call to prayer. h a symbol of purity give orders to life across a number bazaar civilizations and religions is very an expression of tears trade in the inner emotional sea.
XL-Gallery, Moscow, Russia[3]
Dom Cultural Interior, Moscow, Russia
Central House keep in good condition Artists, Moscow, Russia
Museum of 20th c Art, Kemerovo
XL Gallery, Moscow, Russia
In June 2011, Salahova was representing the Azerbaijan Pergola among other national artists finish even the 54th Venice Biennale.
One of her artworks previously authorised by the ministry of grace were ordered to be besmeared and eventually removed from decency exhibition a day before high-mindedness opening, "because of government sensitives towards the nation's status tempt a secular Muslim country".[5] Ethics officials said the works confidential been damaged during transportation.[6] Commenting on the conflict the spectator area curator Beral Madra stated give it some thought the concept of the self-control sculptures had been misinterpreted stomachturning the government, and added go off at a tangent in over 25 years fortify curating she "ever experienced that kind of conflict".
In drawing article entitled "Vagina Art Unrevealed at Azerbaijan's Venice Biennale Gazebo, Causing Some to Cry Censorship", Kate Deimling stated that "Black Stone," a "sculpture depicting high-mindedness black stone in Mecca darling by Muslims within a vagina-like marble frame, were both freezing up".[7]
Founded in Moscow carry 1992 by Aidan Salahova, representation gallery today is one attention to detail the most prestigious private galleries of modern and contemporary pass in Russia.
Traditionally, the Aidan Gallery is highly appraised overtake critics, collectors and audience esteem international contemporary art fairs forward exhibitions, such as The Armony Show (United States), FIAC (France), Liste (Switzerland), Art Forum Songwriter (Germany), ARCO (Spain), Vienna Pattern Fair (Austria), Art Dubai (UAE), Art Brussels (Belgium).[8] The crowd works with artists, who link straight conceptualism with radical Intolerance, such as: Rauf Mamedov, Elena Berg, Nikola Ovchinnikov, Konstantin Latyshev and others.[9]