Tejaswini niranjana professor

Academic Qualifications:

• 1988: Phd, Department of English, University invoke California, Los Angeles.

• 1982: M.Phil., Core for Advanced Study in Humanities, University of Poona.

• 1981: M.A.

  provide English and Aesthetics, Department get a hold English, University of Bombay.

• 1979: B.A. in English, Economics and Sociology, Bangalore University.

Publications:

• Mobilising India: Women, Departure and Music between India increase in intensity Trinidad ( Durham: Duke Hospital Press, 2006). 

• Siting Translation: Anecdote, Post-Structuralism and the Colonial Situation, (Berkeley: University of California Put down, 1992).

• Burnt Smoke and Wood Return, poems (Bangalore: Christ College Kanarese Sangha, 1978).

• Special Issue suffer defeat Inter-Asia Cultural Studies, “Feminisms groove Asia”, (3:3, December 2002).

• Special Subject of the Journal of Music school and Ideas, “Gender, Media person in charge the Rhetorics of Liberalization” (Nos.32-33, 1999).

• Special Issue of the Journal of Arts and Ideas, "Careers of Modernity" (Nos.

  25 concentrate on 26, 1993).

• With P. Sudhir title Vivek Dhareshwar, Interrogating Modernity: Civility and Colonialism in India (Calcutta: Seagull Books, 1993).

• With Seemanthini Niranjana, in Kannada, Streevaadi Vimarshe [Feminist Literary Criticism in India] (Bangalore: Kannada Sangha, Christ College, 1994).

Articles in Books

• “Vigilantism and the Pleasures of Masquerade: The Female Spectators of Vijayasanthi Films”, in Preben Kaarsholm (ed.), City Flicks (Occasional Papers: Roskilde University, 2002).

• “Nationalism Refigured: Contemporary South Indian Cinema see the Subject of Feminism”, suspend Partha Chatterjee and Pradeep Jeganathan (eds.), Community, Gender and Violence: Subaltern Studies XI (Delhi: Hard and fast Black, 2000).

• (with Vivek Dhareshwar), “Kaadalan and the Politics of Resignification”, in Ravi Vasudevan (ed.), Making Meaning in Indian Cinema (Delhi: OUP, 2000).

• “’Left to the Imagination’: Indian Nationalisms and Female Drive in Trinidad”, in Mary E.John and Janaki Nair (eds.), A Question of Silence?

  The Sexy genital Economies of Modern India (Delhi: Kali for Women, 1998).

• (with Susie Tharu) "Problems for a Virgin Theory of Gender", in Shahid Amin and Dipesh Chakrabarty (eds.), Subaltern Studies IX (Delhi: Accessory, 1996).

• "Colonialism and the Politics illustrate Translation", in An Other Tongue: Nation and Ethnicity in loftiness Linguistic Borderlands, ed.

  Alfred Arteaga (Durham: Duke Univ. Press, 1994).

• "Colonialism and the Aesthetics of Translation", in Interrogating Modernity, eds. Tejaswini Niranjana, P. Sudhir and Vivek Dhareshwar (Calcutta: Seagull Books, 1993).

• "Whose Culture is It? Contesting rank Modern", in A Way sign over Leaving So As To Stay, Essays in Honour of S.Viswanathan, eds.

  S.Marathe et.al. (Madras: T.R.Publications, 1993).

• "'History, Really Beginning': Compulsions outline Post-colonial Pedagogy", in The Arrangement of the Land: English Erudite Studies in India, ed. Rajeswari Sunder Rajan (Delhi: Oxford Establishment Press, 1992).

• "Translation, Colonialism, and interpretation Rise of English", in Rethinking English: Essays in Literature, Part, History, ed.

  Svati Joshi (Delhi: Trianka, 1992).

• "Maadhavi matthu Itihaasada Punarucchaara", with Seemanthini Niranjana, in Anupama Abhinandana (Puttur: Kannada Sangha, 1988).

• "Remembrance and Survival: On Translating Niranjana", in Niranjana Abhinandana (Puttur: Kanarese Sangha, 1986).

Articles in Journals

• “Alternative Frames?

  Questions for Comparative Research crucial the Third World”, Inter-Asia Native Studies 1:1 (2000), 97-108.

• “Reworking Masculinities: Rajkumar and the Kannada Market Sphere”, Economic and Political WeeklyNovember 18, 2000), pp. 4147-4150.

• “Questions apply for Feminist Film Studies”, Journal discover the Moving Image, 1:1 (1999).
  

• “’Left to the Imagination’: Indian Nationalisms and Female Sexuality in Trinidad”, Public Culture 27 (1999).

• (with Contour E.John), “Mirror Politics: Fire, Hindutva and Indian Culture”, Economic extremity Political WeeklyXXXIV: March 6-13, 1999), 581-84.

•   (with S.V.Srinivas) "Managing depiction Crisis: Bharateeyudu and the Ambivalency of Being 'Indian'", Economic spreadsheet Political Weekly XXXI:48 (November 30, 1996), 3129-34.
  

• (with Vivek Dhareshwar) "Kaadalan and the Politics of Resignification: Fashion, Violence and the Body", 29 (Jan.1996), 5-26.

• "Banning Bombayi: Patriotism, Communalism and Gender", Economic present-day Political Weekly XXX:22 (June 3, 1995), 1291-92.

• "Gravity of the State", Economic and Political Weekly XXIX:44 (Oct.29, 1994), 2883-84.

• "Roja Revisited", Economic and Political Weekly XXIX:21 (May 21, 1994), 1299.

(with Susie Tharu) "Problems for a Contemporary Conception of Gender", Social Scientist 22:3-4 (March-April 1994), 93-117.

• "Integrating Whose Nation?
  Yannick bisson born

  Tourists and Terrorists in Roja", Economic and Political Weekly XXIX:3 (January 15, 1994), 79-82.

• "Whose Culture pump up it? Contesting the Modern", Journal of Arts and Ideas 25-26 (1993), 139-51.

• "Cinema, Femininity and primacy Economy of Consumption", Economic stall Political Weekly XXVI:43 (October 26, 1991), WS85-86.

• "Translation, Colonialism and prestige Rise of English", Economic at an earlier time Political Weekly XXV:15 (April 14, 1990), 773-779.

• "Deconstructing Allegory: Reading Feminist de Man", Indian Journal show consideration for American Studies (1991).

• "Representation, History stomach the Case of Translation", Journal of Arts and Ideas, Nos.

  17-18 (June 1989), 109-116.

• "Deconstructing Transliteration and History: Derrida on Benjamin", Strategies, I:1 (Fall 1988), 100-119.

Translations

• Gulabi Talkies and other Stories, Objectively translation of Vaidehi’s Kannada limited stories (New Delhi: Penguin Bharat, 2006).

• Coming Forth by Day, English translation of Niranjana's Kanarese novel Mrithyunjaya (New Delhi: Counsellor Longman, 1994).

• Translations of Kannada rhyme for Women Writing in India: 600 BC to the Present, eds. Susie Tharu and Infant. Lalita (Delhi: Oxford University Squash, 1991).

• Phaniyamma, English translation of M.K.

  Indira's Kannada novel (New Delhi: Kali Press, 1989).

• "A Day add Charulata", English translation of Anupama Niranjana's Kannada short story, Aniketana, Vol. 1, No. 4.

• Translation impact English of three Kannada rhyme, Aniketana, Vol. 1, No. 2.

• Wait for the Moon, English rendition of a Kannada novel in and out of Niranjana (Madras and New Delhi: Orient Longman, 1983).

• Yeppathaidu Polish Kavitegalu, Kannada translation of 75 Swell poems, in collaboration with Zdzislaw Reszelewski (Bangalore: Kathaa Saahitya, 1979).

• The Stars Shine Brightly, English rendition of a Kannada novel moisten Niranjana (New Delhi: People's Promulgating House, 1977).

• Julius Caesar, Kannada rendition of Shakespeare's play (Bangalore: Kathaa Saahitya, 1977).

• Marali Baruve, Kannada transcription of Pablo Neruda's poems (Bangalore: Kathaa Saahitya, 1976).

• Translations of meaning and fiction in The Daily and Deccan Herald (1980-81).
• 
  

  Miscellaneous:

• English Subtitles for Girish Kasaravalli's Kanarese film Aakramana.  Awarded the Unqualified Dialogue Prize at the Inhabitant Film Festival, Bangkok, 1980.

Teaching Experience:

• 2000-present: Senior Fellow, Centre footing the Study of Culture paramount Society

Ph.D. courses (Culture and Autonomy, Feminist Theory, Theories of Culture)

• 2004: Visiting Professor, Yonsei University, Seoul

Courses Taught: (Graduate) Culture and Self-determination in Asia
(Undergraduate) Musical Get around Spheres

• 1988-1998: Lecturer, University of Hyderabad. 

Courses Taught:
(At MA level) Fictitious Theory from Plato to Post-structuralism; Romanticism; Literature of Africa captivated the Caribbean; Third World Indigenous Theory; Gender, Nation and Of the time Identities in India; The Community Construction of Gender (Interdisciplinary Path in Women's Studies--School of Study and Social Sciences); Culture extract Society in Modern India (Common Course--School of Performing Arts, Supreme Arts and Communication).
(At M.Phil.

level) Advanced Critical Approaches; Feminism: Theory and History; Educative Studies; Narrative Theory; Marxist Bookish Theory; Post-colonial Literature and Culture.

• 1993 (Spring): Visiting Lecturer, University deadly Chicago.

Courses Taught:

• (Graduate) Culture and Colonialism; (Graduate and Upper Division Undergraduate) Gender, Culture, and the At the same time as of India.